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 Programa        Inscreva-se aqui

Criatividade

A criatividade - a nossa capacidade de imaginar e conceber algo novo - é provavelmente a característica mais notável da cognição humana. Está na essência da inovação científica e impulsiona a arte em todas as suas formas; é o que explica o progresso, as revoluções, as crises e a sua resolução. Mas como funciona? O que sabemos sobre o que é a criatividade, quem a tem e o que podemos fazer para a potenciar? No seu 14º Simpósio "Aquém e Além do Cérebro", a Fundação BIAL procura abordar estas questões, reunindo alguns dos mais importantes neurocientistas, psicólogos, filósofos e artistas e envolvendo-os num profundo diálogo interdisciplinar ao longo de um diversificado programa que se estende por três dias.

Abertura

O Simpósio terá início no final da tarde do dia 3 de abril com uma palestra de Mark Runco (Ashland, EUA), que apresentará uma visão geral sobre o estudo científico da criatividade, introduzindo a seguinte questão: que (se é que existem) partes da criatividade estão “para além do cérebro”?

Primeira sessão

A primeira sessão ("As bases da criatividade") terá lugar na manhã do dia 4 de abril. Moderada por Caroline Watt (Edimburgo, UK), será dedicada às bases da criatividade. Nicola Clayton e Mark Baldwin (Cambridge, UK) irão primeiro explorar como o movimento, por exemplo, através da dança, promove a criatividade. Em seguida, Christine Simmonds-Moore (Geórgia Ocidental, US) e Amory Danek (Heidelberg, DE) abordarão, respetivamente, os mecanismos cognitivos e as bases neuronais da criatividade. A sessão encerrará com uma conferência magistral de Anna Abraham (Geórgia, US), que abordará aspetos fundamentais da criatividade, desmistificando alguns mitos que alimentamos sobre ela.

Segunda sessão

A segunda sessão ("As expressões da criatividade"), na manhã de 5 de abril, explorará diferentes expressões de criatividade e diferentes formas de a estimular. Será moderada por Rainer Goebel (Maastricht, NL). Todd Lubart (Paris, FR) centrar-se-á sobre os efeitos do contexto nos esforços criativos. Lucia Melloni (Frankfurt, DE) dará a conhecer abordagens criativas na ciência. Marilyn Schlitz (Palo Alto, US) explorará as ligações entre os fenómenos psi e a mente criativa. Finalmente, na conferência magistral de encerramento, Morten Kringelbach (Oxford, UK) abordará como "o cérebro improvisador", tal como se expressa através da música, leva à criação de significado e prosperidade.

Terceira sessão

A terceira sessão ("Os limites da criatividade"), na manhã de 6 de abril, levará a criatividade aos extremos e para além dos limites. Sergio Neuenschwander (Rio Grande do Norte, BR) irá focar-se no cinema como forma de arte disruptiva que possibilita a invenção da realidade. Frederick Barrett (Baltimore, US) irá explorar como as drogas psicadélicas podem estimular a criatividade na improvisação musical. E Marcus du Sautoy (Oxford, UK) coloca uma questão crucial: pode a inteligência artificial ser criativa? Edward Kelly (Virgínia, US) encerrará a sessão com uma conferência magistral destinada a compreender experiências criativas em contextos extremos, como a quase morte ou situações que envolvem fenómenos paranormais. A sessão será moderada por Stefan Schmidt (Freiburg, DE).

Apresentações orais

Para além de organizar o seu simpósio bianual, a Fundação BIAL também apoia investigação básica relevante para o estudo da mente. Na tarde do dia 4 de abril, os investigadores apoiados pela Fundação BIAL terão oportunidade de apresentar oralmente o seu trabalho, dando uma visão geral, em 2 minutos, do seu poster, que estará exposto durante o simpósio. Esta sessão empolgante será moderada por Mário Simões (Lisboa, PT).

Workshops

O simpósio será ainda fortemente enriquecido por um conjunto notável de quatro workshops participativos, que terão lugar em paralelo, na tarde de 5 de abril. No Workshop 1, Penousal Machado (Coimbra, PT) convidará os participantes a explorar a inteligência artificial como suporte à criatividade na arte e na ciência. O Workshop 2, dinamizado por Nicola Clayton e Mark Baldwin, irá focar-se no movimento criativo ("Venha preparado para mover o seu corpo!"). Conduzido por Christine Simmonds-Moore e Etzel Cardeña (Lund, SE), o Workshop 3 irá dedicar-se à extraordinária fusão dos sentidos no processo criativo, ocasionada pela sinestesia entre som e desenho. Finalmente, no Workshop 4, organizado pelo conceituado músico e autor português Pedro Abrunhosa (Porto, PT), deixar-nos-emos entranhar pelos sons, pela harmonia, pelo ritmo ou pelo silêncio para que cada um diga o que vê no invisível.

Mesa-redonda final

O simpósio encerrará na tarde de 6 de abril com uma mesa-redonda final, moderada por Axel Cleeremans (Bruxelas, BE) e composta por Pedro Abrunhosa, Mark Baldwin e Nicola Clayton, Marilyn Schlitz e Sergio Neuenschwander. Esta será uma oportunidade para continuar a refletir e a partilhar as principais conclusões do simpósio, oferecendo ao público uma última oportunidade para interagir com os oradores convidados.

Com o seu 14º Simpósio, a Fundação BIAL espera envolver os oradores e o público em torno de uma reflexão profunda e interdisciplinar sobre aquela que talvez seja a característica definidora da mente humana: a sua surpreendente capacidade de encontrar criativamente novas soluções para problemas, imaginar mundos e futuros possíveis, partilhar beleza e transcender-se.

 14º Simpósio: Pré-programa

 14º Simpósio: Programa

Comissão Organizadora, Participantes, Programa & Inscrições

Comissão Organizadora

Presidente
Axel Cleeremans
Bruxelas
Etzel Cardeña
Lund
Miguel Castelo-Branco
Coimbra
Rui Costa
Seatle, Wa
Rainer Goebel
Maastricht
Stefan Schmidt
Friburgo
Caroline Watt
Edimburgo

Participantes

Anna Abraham
(Athens, Ga)
Pedro Abrunhosa
(Porto)
Mark Baldwin
(Cambridge)
Frederick Barrett
(Baltimore, Md)
Etzel Cardeña
(Lund)
Miguel Castelo-branco
(Coimbra)
Nicola Clayton
(Cambridge)
Axel Cleeremans
(Brussels)
Rui Costa
(Seattle, Wa)
Amory Danek
(Heidelberg)
Marcus Du Sautoy
(Oxford)
Rainer Goebel
(Maastricht)
Edward Kelly
(Virginia, Va)
Morten Kringelbach
(Oxford)
Todd Lubart
(Paris)
Penousal Machado
(Coimbra)
Lucia Melloni
(Frankfurt)
Sergio Neuenschwander
(Rio Grande Do Norte)
Mark Runco
(Ashland, Or)
Marilyn Schlitz
(Palo Alto, Ca)
Stefan Schmidt
(Freiburg)
Christine Simmonds-Moore
(Carrollton, Ga)
Mário Simões
(Lisbon)
Nuno Sousa
(Minho)
Caroline Watt
(Edinburgh)

3 de abril - quarta-feira
17:00 - 18:00
Entrega de documentação
18:00 - 18:30
Sessão de Abertura
18:30 - 19:15
Conferência Inaugural

Chairman | Axel Cleeremans

Research Director with the F.R.S-FNRS (Belgium); Director of the Center for Research in Cognition & Neurosciences, Université Libre de Bruxelles; Member of the Royal Academy of Belgium. Scientific Interests: Consciousness; unconscious cognition; computational modelling of cognitive processes; agency; affective neuroscience.

09:15 - 09:45
What (if any) parts of creativity are “beyond the brain”?

Mark Runco

Director of Creativity Research & Programming, Southern Oregon University, USA. Founding Editor (now Editor Emeritus) of the Creativity Research Journal, Chief Editor of the Journal of Creativity. Co-Editor of the Encyclopedia of Creativity. Scientific interests: cognitive bases of creativity and divergent thinking; educating to fulfill creative potentials.

PDF Presentation

Abstract

tbd

4 de abril - quinta-feira
The foundations of creativity
Moderator | Caroline Watt
09:00 - 09:15
Abertura

Caroline Watt

Holder of the Koestler Chair of Parapsychology, and founder member of the Koestler Parapsychology Unit, Psychology Department, University of Edinburgh, Scotland. Scientific interests: testing the psi hypothesis using the ganzfeld method; replication and methodological issues in parapsychology.

PDF Presentation

09:15 - 09:45
The movement, and musicality of mental time travel

Nicola Clayton

Professor of Comparative Cognition, Department of Psychology, University of Cambridge, UK. Fellow of Clare College and Fellow of the Royal Society, Director of the Cambridge Centre for the Integration of Science, Technology and Culture. She has worked with Mark Baldwin for almost fifteen years. Scientific and artistic interests: thinking with and without words; choreography inspired by comparative cognition.

PDF Presentation


Mark Baldwin

Multi-award-winning choreographer, artistic director and visual artist. Academic Visitor, Department of Psychology, University of Cambridge, UK, where he works with Nicola Clayton. Scientific and artistic interests: thinking with and without words; choreography inspired by comparative cognition.

PDF Presentation

Abstract

Mental time travel refers to the subjective experience of recalling the past and imagining the future. It is about projecting the self in time, reflecting on where we have been and where we are going in space and time. Memories are not fixed repositories of the past but move in flexible ways because they evolved with the future in mind. We will explore these concepts scientifically and artistically through our joint interest in choreography, the ways in which we explore the movement and musicality of wordless thoughts in humans and in other animals with whom we share the planet and its implications for creativity.

09:50 - 10:20
Connections, sensitivity and tangible representations: Unpacking some correlates of creativity and exceptional experiences

Christine Simmonds-Moore

Professor of Psychology, Psychology program, Department of Anthropology, Psychology and Sociology, University of West Georgia, USA. Director of the Exceptional Experiences Research Lab [EERL]. Scientific interests: exceptional experiences (ExE); paranormal beliefs and disbeliefs; individual difference correlates of ExE (including positive schizotypy, transliminality, synesthesia, ASMR, and interoception); mental health correlates of ExE; altered states of consciousness.

Abstract

There is a collection of neural, perceptual, and cognitive attributes that contribute to both creativity and tendencies toward a range of exceptional experiences (ExE), including ostensible psi phenomena. These attributes reflect a plastic, connected (disinhibited) nervous system (mind and body) and cognitive style which translates to being psychologically and physically sensitive to a range of internal and external stimuli and sources of information. In addition, this type of system often tends toward syncretic tendencies that enable tangible representations of ideas, stimuli, and information that may not usually be consciously available. Intriguingly, there seems to be an interplay between individual differences, states of consciousness, and other factors in terms of creativity and exceptional experiences. Variables of interest include synesthesia, transliminality, Hartmann’s boundary thinness, positive schizotypy, interoception, and ASMR (Autonomous Sensory Meridian Response). In this paper and presentation, I will explore how systems in which one can dip in and out of connected states may result in more genuinely creative outputs and the availability of ostensible psi phenomena. These systems may relate to systems that are rich in fractal signatures and exhibit metacognitive traits and cognitive organization.

10:25 - 10:55
Breaking barriers: Emerging topics in creativity and insight research

Amory Danek

Postdoctoral Researcher and Lecturer, Department of Psychology, Heidelberg University, Germany. Founder of Insight without Borders (discussion forum for insight researchers across the world). Scientific interests: human problem solving; creativity; meta-reasoning; false insights; memory and magic tricks.

Abstract

Insightful ideas are a powerful expression of creativity. Hundred years after Wolfgang Köhler observed “insightful” behaviour of chimpanzees on the island of Tenerife, creative problem solving has become an exciting area of research, with links to metacognition, memory and emotion. New methodological approaches have revived the study of creativity and insight problem solving. Research addressing the peculiar phenomenology of insight (“Aha! experiences”) has seen the most interest recently, but the crucial question of how new ideas emerge still remains to be answered. This talk gives an overview on contemporary efforts to understand human problem solving and creativity. Topics to be discussed are the role of insight in creative problem solving, including affective and cognitive components, mental set and fixation, and the extent to which Aha! experiences predict correct solutions. Recent studies converge on the finding that the Aha! experience is best regarded as a multi-dimensional construct with three components: Joy of discovery, confidence in being correct and a feeling that the idea emerges all at once. But how can ideas suddenly appear in consciousness, seemingly without effort? What is contributed by unconscious processes? What is known about the underlying cognitive process of restructuring the problem representation? I will present an innovative task domain that I developed in order to make Aha! experiences tractable in the lab. In the magic trick paradigm, a series of magic tricks is presented as problem solving task, challenging observers to find out how the magician achieves the magic effect. If they succeed, strong Aha! experiences are triggered. On the cognitive level, generating non-obvious ideas requires breaking free from unwarranted assumptions and constraints. Therefore, I will also discuss research on escaping fixation and mental set. When prior knowledge and experience prime incorrect approaches, it is difficult to break down those self-imposed barriers. In some cases, however, cues or training can be helpful to overcome fixation. Another key topic is the accuracy effect of insight: When the solution to a problem comes to mind accompanied by an Aha! experience, it is more likely to be accurate compared to solutions where this feeling of epiphany is missing. The accuracy effect has been shown repeatedly, holds across task domains and remains stable when potential confounds are excluded. This finding supports the idea that feelings of Aha! signal correctness, emotionally marking some ideas as novel and surprising. Such an intuitive sense of success is clearly adaptive. Possible causes and consequences of the effect will be discussed.

11:00 - 11:30
Café, sessão de posters e contactos
11:30 - 12:15
Conferência - Myths and truths of the creative mind

Anna Abraham

Psychologist and neuroscientist, E. Paul Torrance Professor in the Mary Frances College of Education, University of Georgia, USA. Director of the Torrance Center for Creativity and Talent Development. Author of “The Neuroscience of Creativity” and Editor of “The Cambridge Handbook of the Imagination”. Scientific interests: interdisciplinary examination of fundamentally human capacities such as creative thinking and other core aspects of the imagination including the reality-fiction distinction, self and social cognition, mental time travel, mental state reasoning, and aesthetic experience.

PDF Presentation

Abstract

Is the right hemisphere the seat of the creative brain? Do psychedelic drugs enhance creativity? Does mental illness accompany creativity? These are some of the many polemic questions about creativity that have long been of interest to researchers and the general public alike. In our attempt to understand how creative minds operate, we favor explanations that are eccentric. It is as though any explanation for creativity, this seemingly magical phenomenon, must itself bear some inherent peculiarities to be convincing. When these notions come to be widespread and held as fact by many, academics often present them as pure myths that need to be debunked. Nonetheless, despite all the pronouncements and evidence to the contrary, creativity "myths" tend to persist. The question is why? In this lecture, Professor Anna Abraham explores dominant notions that abound about the creative brain and how they come about. In doing so, she unravels their roots and their truths.

12:30 - 13:00
Discussão
13:00-14:30
Almoço
14:30 - 16:00
Apresentações orais posters - Investigadores apoiados

Moderator | Mário Simões

Retired Professor of Psychiatry and Consciousness Sciences, Faculty of Medicine of Lisbon, Portugal. Scientific interests: psychology and psychophysiology of altered states of consciousness; ethnomedicine; human exceptional experiences and psychology and spirituality.

16:00 - 16:30
Café, sessão de posters e contactos
16:30 - 17:30
Apresentações orais posters - Investigadores apoiados (cont.)

5 de abril - sexta-feira
The expressions of creativity
Moderator | Rainer Goebel
09:00 - 09:15
Abertura

Rainer Goebel

Professor of Cognitive Neuroscience, Faculty of Psychology and Neuroscience, Maastricht University, The Netherlands. Founding director of the Maastricht Brain Imaging Centre (M-BIC). Scientific interests: neuronal representations in the brain and how they are processed to enable specific perceptual and cognitive functions; neural correlates of visual awareness; clinical applications in brain computer interfaces (BCIs) and neurofeedback studies.

PDF Presentation

09:15 - 09:45
Environmental effects on creative output: Studies of the impact of Virtual reality

Todd Lubart

Professor of Psychology, University Paris Cité, France. Serves on the editorial board of several journals concerning creativity and innovation, received the Berlyne award (American Psychological Association), the NAGC Torrance Award, and was a junior member of the Institut Universitaire de France. President of the International Society for the Study of Creativity and Innovation. Scientific interests: measures of creative potential; environmental support for creativity using virtual reality; development of creativity through game play and the use of generative AI for creativity.

PDF Presentation

Abstract

This presentation will look at the ways that an environment can impact creative productions. In particular studies in virtual reality (VR) environments will be showcased. This line of research places participants in VR settings using avatar representations. The environments are virtual spaces with “rooms” in which people can work alone or collectively to accomplish creative thinking tasks or brainstorming-style meetings. In several studies, the nature of the environment and the characteristics of the avatars are varied. This research uses both experimental and questionnaire methodologies. In the experimental studies, people are assigned avatars and accomplish creative thinking tasks in different virtual rooms to see the impact of the room’s characteristics and the avatar features on their task performance. Results show positive effects of specific VR rooms, compared to basic rooms or physical rooms, on idea productivity, idea originality and the nature of the ideas produced. For example, placing participants in an 'artist's house' compared to a standard meeting room is beneficial. Representing oneself in a "creative-looking" avatar compared to a standard one is beneficial as well. The content of creative ideas varies with the setting and avatar. Thus, the expression of creativity is influenced by the environmental setting. In the questionnaire-based studies, people see a range of virtual workplaces and rate the extent to which they can envision creative thinking in each. The specific features relevant to creative workspaces, in the virtual world, and comparatively in the regular physical world are identified. Overall, this line of research contributes to specifying the environmental impact on creative thinking and provides results to help develop environments that can stimulate creativity.

09:50 - 10:20
Using adversarial collaboration to harness collective intelligence and boost creativity in science

Lucia Melloni

Head of the Neural Circuits, Consciousness, and Cognition Research Group, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany, and Research Professor, Department of Neurology, NYU Grossman School of Medicine, USA. Scientific interests: understanding the neural underpinnings of how we see (perception), how and why we experience what we see (consciousness), and how those experiences become imprinted in our brain (learning and memory), as well as the interplay between these processes.

Abstract

There are many mysteries in the universe. One of the most significant, often considered the final frontier in science, is understanding how our subjective experience, or consciousness, emerges from the collective action of neurons in biological systems. While substantial progress has been made over the past decades, a unified and widely accepted explanation of the neural mechanisms underpinning consciousness remains elusive. The field is rife with theories that frequently provide contradictory explanations of the phenomenon. To accelerate progress, we have adopted a new model of science: adversarial collaboration in team science. Our goal is to test theories of consciousness in an adversarial setting. Adversarial collaboration offers a unique way to bolster creativity and rigor in scientific research by merging the expertise of teams with diverse viewpoints. Ideally, we aim to harness collective intelligence, embracing various perspectives, to expedite the uncovering of scientific truths. In this talk, I will highlight the effectiveness (and challenges) of this approach using selected case studies, showcasing its potential to counter biases, challenge traditional viewpoints, and foster innovative thought. Through the joint design of experiments, teams incorporate a competitive aspect, ensuring a comprehensive exploration of problems. This method underscores the importance of structured conflict and diversity in propelling scientific advancement and innovation.

10:25 - 10:55
Psi and the creative imagination

Marilyn Schlitz

Professor of Transpersonal Psychology, Sofia University, Bulgaria, and CEO/President Emeritus and Senior Fellow, Institute of Noetic Sciences, USA. Social scientist, award-winning author, filmmaker, and dynamic public speaker. She has published several books and hundreds of articles in scholarly journals and popular publications, and has lectured in diverse venues across the world, including the United Nations. Scientific interests: clinical, laboratory, and field-based research into consciousness, human transformation, and healing.

Abstract

The link between psi and creativity has been explored since the early days of psychical research. Frederic Myers was among the first to explore the evidence of psi and genius based on spontaneous cases, arguing that both are characterized by an uprush from the subliminal mind to conscious awareness. Likewise, Walker Franklin Prince reported psi experiences among many highly creative individuals, including writers, poets and painters. This lecture will explore the rich history of psychical research, providing a context for more contemporary investigations that have studied the creative imagination and psi under laboratory conditions. While creativity and psi are elusive, spontaneous, and difficult to control, results of recent research indicate that work with creative populations, and under conditions that elicit the creative imagination, are productive and compelling avenues for the study of psi phenomena. A review of the literature will be offered and informed by a theory of mind that articulates a fluid boundary between inner and outer experiences.

11:00 - 11:30
Café, sessão de posters e contactos
11:30 - 12:15
Conferência - The improvising brain: In search of meaning making and thriving

Morten Kringelbach

Professor of Neuroscience, Universities of Oxford, UK, and Aarhus, Denmark. Founding Director of Centre for Eudaimonia and Human Flourishing, Linacre College. His research uses advanced analysis methods on precise paradigms in healthy people, as well as in at-risk and diseased populations. Scientific interests: reverse-engineer the human brain to elucidate the heuristics that allow us to survive and flourish.

PDF Presentation

Abstract

For Aristotle, the goal of human life was to live well, to flourish, and to ultimately have a good life. He conceptualised this as “eudaimonia”, a concept distinct from “hedonia” or pleasure, coming from hedus, a Greek word for the sweet taste of honey. Over the last decade, we have been making significant progress in understanding how the brain orchestrates hedonia but here I will focus on neuroimaging studies of the ‘sweet anticipation’ of music showing not only how music leads to pleasure, but also to meaning making and thriving. Over longer timescales these experiences can give rise to both flourishing and suffering, providing meaning and purpose to life. I will discuss the evidence from whole-brain modelling of neuroimaging data including jazz improvisation for orchestrating eudaimonia, and propose future strategies for exploring the deep remaining questions.

12:30 - 13:00
Discussão
13:00-14:30
Almoço
14:30 - 16:30
Parallel Workshops (W)

W1 - Room Medicoteca; without translation - bring your laptop


Creativity in art and science AI - artificial creativity and art

Moderator | Miguel Castelo-Branco

Full Professor, University of Coimbra, Portugal. Affiliate Professor, University of Maastricht, The Netherlands, where he has held a Professorship in Psychology in 2000. Before, Postdoctoral fellow, Max-Planck-Institute for Brain Research. Director of IBILI and Scientific Coordinator of the National Functional Brain Imaging Network. Director of CIBIT and former Director of ICNAS, University of Coimbra. Scientific interests: sensory and perceptual neuroscience, and neurobiology of decision-making; social cognition and reward in health and disease, with a focus on autism research.


Invited presenter | Penousal Machado

Associate Professor, Department of Informatics Engineering, University of Coimbra, and coordinator of the Cognitive and Media Systems group of CISUC, Portugal. President of SPECIES (Society for the Promotion of Evolutionary Computation). Author of more than 200 refereed journals and conference papers and recipient of several scientific awards, his work was presented in venues such as the National Museum of Contemporary Art and MoMA, NY, USA. Scientific interests: artificial intelligence; evolutionary computation; computational creativity; information visualization.

Abstract

In this workshop we will delve into the intersection of human creativity and artificial intelligence, blending insights from neuroscience and computer science. We'll explore how evolutionary thinking and concepts inspired by biology can inform and enhance computational approaches to creativity. Participants will have the opportunity to engage in interactive demonstrations and practical sessions, getting hand-on experience with tools designed to foster, support, and augment human creativity, with a focus on co-creative systems, where humans and AI work together to a common goal. The participants are encouraged to bring their own laptops.


W2 - Room Braga; without translation


Choreography and embodiment: Creating with and without wings and tentacles to develop movements with and without words

Moderator | Rui Costa

President and CEO, Allen Institute, Washington, and Professor of Neuroscience and Neurology, Columbia University, New York, USA. Scientific interests: molecular, cellular and systems mechanisms of action generation, sequence and skill learning, goal-directed actions versus habits, across-level approach to study cognitive and sensorimotor disorders (PD, OCD, and autism).

Invited presenters | Mark Baldwin and Nicola Clayton

Abstract

Activating the brain and body so that this meeting of corporal and cerebral minds results in an automatic response is sometimes called improvisation. This territory can be difficult to reach but we will guide you through some simple tasks to help you connect with your inner improvising self. Make it up, make mistakes, make movement, make it your own. “Blasted with ecstasy...” (Shakespeare’s Hamlet, Soliloquy from Act III, Ophelia).


W3 - Room Conferências; without translation


Synesthetic creativity: A hands-on experience using sound and drawing

Moderator | Etzel Cardeña

Thorsen Professor of Psychology and Director of the Center for Research on Consciousness and Anomalous Psychology (CERCAP), Department of Psychology, Lund University, Sweden. Scientific interests: the psychology of anomalous experiences/non-ordinary mental expressions, including parapsychological phenomena; neurophenomenology of hypnosis, meditation and dissociation; stream of consciousness.

Invited presenter | Christine Simmonds-Moore

Abstract

In this workshop, we will explore the interactions between personality, a mild alteration in consciousness and synesthetic experiences. The workshop will begin with a brief introduction about synesthesia (the experience of more than one sensory modality by a single stimulus, as in musical tones being associated with colors). Participants will be invited to complete a short personality measure and will then listen to a mild hypnotic induction. This will be followed by suggestions to experience different stimuli in creative ways. Stimuli will include different sounds and other stimuli. Then participants will be invited to draw or mould the sound using playdoh. At the end we will discuss how participants manifested the stimuli in novel, creative ways.


W4 - Room Auditorium; there will be simultaneous translation - bring your mobile


The sound of creativity: A sensorial pathway from silence to music

Moderator | Nuno Sousa

Professor at the School of Medicine, University of Minho. Director of the Clinical Academic Center (2CA) - Braga and Researcher at ICVS, University of Minho, Braga, Portugal. Scientific interests: neurobiology of stress and brain network plasticity.


Invited presenter | Pedro Abrunhosa

At the age of 16 he studied Analysis, Composition and History of Music at Porto School of Music, and, later, at the Conservatory, Porto, Portugal. He got into music through the erudite path; from the most complex to the simplest, towards the purification of language. When he got to jazz, he was a jazz scholar and founded the Porto Jazz School. When he arrived at rock music, he had a backpack full of history and rigor. In 1994 he released his first album “Viagens” and he is now finishing his ninth. In his multi-platinum albums, he reveals his powerful writing, leaving songs that join so many other hymns, legends, adages. With thousands of concerts and sold-out venues, he combines the stage with lectures and discussions in the business and academic world.

Abstract

One of the most fascinating questions that musical creativity suggests is its reference to a primeval genesis of sound as a communication process; in fact anthropology (and archeology) do not rule out the hypothesis of bodily sounds (guttural or percussed), as well as sounds produced by the impact of materials or woodwinds on hollow wood, as the cradle of language and, naturally, music. The semantics and lexicon that we use today would be nothing more than a very slow and effective evolution of this primordial music. This is why a return to silence can be initiatory, not in the metaphysical sense but as a revealing of thought. That is: silence as black matter from which ‘thought’ explodes. Music included. This experience of 'hearing silence' and its metamorphoses (all sound is the transformation of silence) can trigger psychological, memory and sensitive processes that border on the hypnotic. This workshop starts from this assumption and leads to an experience of the senses that we would eventually give shape to in the form of a musical piece.

17:00 - 18:00
Get-together Cheese & Wine

6 de abril - sábado
The edges of creativity
Moderator | Stefan Schmidt
09:00 - 09:15
Abertura

Stefan Schmidt

Professor of Systemic Family Therapy and Head of the Academic Section of Systemic Health Research, Department of Psychosomatic Medicine and Psychotherapy, University Medical Centre, Freiburg, Germany. Scientific interests: systems approaches in health research, psychophysiology, consciousness research, mindfulness meditation, experimental parapsychology, exceptional experiences and placebo research.

PDF Presentation

09:15 - 09:45
Neurocinema and the invention of reality

Sergio Neuenschwander

Full Professor, Brain Institute, Federal University of Rio Grande do Norte, Natal, Brazil. Scientific interests: neuronal mechanisms of visual perception; role of cortical dynamics in perceptual organization; information transfer in the retinogeniculate system.

PDF Presentation

Abstract

As a form of creative art, Cinema presents a unique construction of reality. By combining narrative and visual storytelling techniques, movies create a rich sensory experience, enabling spectators to feel, see, and emotionally connect with the cinematic content. This perspective allows the audience to immerse in the narrative's highs and lows firsthand, transcending mere observation. The true beauty of Cinema resides in its ability to evoke sensory experience transformation and resonance as if the spectators were part of an ongoing fictional world. I will begin my presentation by explaining the neuronal mechanisms considered relevant for image representation, drawing from our experimental data in the visual system, including the retina, the lateral geniculate nucleus, and the visual cortex. In particular, I will focus on the debate of enhanced neuronal activity versus temporal coding as the critical mechanism for visual binding and attention. I will then explore how movies disrupt and challenge conventional perspectives on image representation, revealing the constructive nature of perception. As an illustration, I will showcase examples from collaborative artwork with Rivane Neuenschwander and highlight the documentary and fictional contributions of Cao Guimarães. Through these insights, I aim to establish a basis for discussing how our internal perceptual organization drives creativity in various artistic endeavors.

09:50 - 10:20
Music and psychedelic drugs as tools to explore creativity

Frederick Barrett

Associate Professor of Psychiatry and Behavioral Sciences, Johns Hopkins University School of Medicine; Faculty of Neuroscience, and Psychological and Brian Sciences, Johns Hopkins University; Director of the Johns Hopkins Center for Psychedelic and Consciousness Research, USA. Scientific interests: the neural basis of cognition and affect; the cognitive neuroscience of music, and the mechanisms underlying acute and enduring effects of psychedelic drugs.

Abstract

Musical improvisation is an enduring art with a rich history of creative output and provides a model for the study of the neuroscience of creativity. Anecdotal evidence and some recent empirical evidences has suggested that psychedelic drugs may be powerful modulators (possibly enhancers) of creativity. We will explore evidence for psychedelic alteration of creativity and propose an approach to combined use of music and psychedelics as tools for the investigation of the neural basis of creativity.

10:25 - 10:55
The creativity code

Marcus du Sautoy

Simonyi Professor for the Public Understanding of Science and Professor of Mathematics, University of Oxford, UK. Author of eight books and two plays, he has presented numerous radio and TV series including “The Story of Maths” for BBC. He works extensively with a range of arts organisations bringing science alive for the public. Scientific interests: understanding the world of symmetry using zeta functions, a classical tool from number the.

Abstract

Will a machine ever compose a symphony, write a prize-winning novel, paint a masterpiece or prove a mathematical theorem? And if so, would we be able to tell the difference? Based on his book The Creativity Code, Marcus du Sautoy explores the new developments in AI that are shaking up the status quo and asks how long it might be before machines come up with something creative, and whether they might jolt us into being more imaginative in turn.

11:00 - 11:30
Café, sessão de posters e contactos
11:30 - 12:15
Conferência - Creativity in context: The big picture

Edward Kelly

Professor, Division of Perceptual Studies, Department of Psychiatry and Neurobehavioral Sciences, School of Medicine, University of Virginia, Charlottesville, USA. Co-director of Ray Westphal Neuroimaging Laboratory. Scientific interests: neuroimaging studies of exceptional psi subjects and psi-conducive states of consciousness, and both scientific and philosophical theories of consciousness and mind/brain relations.

PDF Presentation

Abstract

Scientific study of creativity has so far been carried on almost entirely, whether explicitly or implicitly, within a context provided by the worldview known as “physicalism,” which represents current majority opinion among mainstream workers in areas such as biology, neuroscience, cognitive neuroscience, psychology and the behavioral sciences, and which currently constitutes the received wisdom of “opinion elites” more generally in most sectors of modern societies worldwide. This worldview essentially pictures reality as consisting at bottom of tiny bits of some sort of insentient material “stuff” moving around in fields of force in accordance with mathematical laws, and everything else that exists as necessarily emerging somehow from that most-basic stuff. We ourselves are nothing more than immensely complicated biological machines, operating deterministically, so there can be no such thing as free will. Our minds and consciousness are manufactured entirely by neurophysiological processes occurring in our brains, so there can also be no such thing as postmortem survival. On a more cosmic scale we see no sign of final causes or any sort of transcendent order. On the contrary, the overall scheme of nature appears in the end to be utterly devoid of meaning or purpose. This bleak and arguably destructive worldview purports to be justified by the findings of modern science, but it is more accurately characterized as a philosophical doctrine grounded in the highly developed classical physics of the late 19th century. Moreover, recent developments in areas including physics itself, the psychobiology of mind and consciousness, and philosophy of mind have collectively undermined its empirical basis and exposed the need to replace it with an expanded science-based worldview which is consistent with the revolutionary advances of more recent physics, and which can potentially accommodate a variety of poorly-understood but significant realities of human experience, including in particular extreme forms of creativity, mystical experiences of various types, and paranormal or “psi” phenomena, which appear deeply interconnected both psychologically and historically. The general picture of reality currently emerging as an alternative to the prevailing physicalism amounts philosophically to its virtual opposite - some form of realist idealism which takes consciousness as fundamental and derives all else from that. My talk will briefly summarize these developments and sketch some ways in which they can impact future scientific work on creativity, ameliorating present defects and difficulties and leading toward both deeper understanding and increased availability for empirical study and application.

12:30 - 13:00
Discussão
13:00-14:30
Almoço
14:30 - 16:30
Roundtable - The process of creativity

Moderator | Axel Cleeremans

Participants | Pedro Abrunhosa, Nicola Clayton and Mark Baldwin, Marilyn Schlitz, Sergio Neuenschwander

Abstract

In this closing event moderated by Axel Cleeremans we will once again return to the central question of the symposium: What is the process of creativity? Speakers from different backgrounds will exchange ideas and offer their own perspective on the issue. Mark Baldwin, Marylin Schlitz and Sergio Neuenschwander will be joined by the Portuguese artist Pedro Abrunhosa to debate, interact with the public, and perform in an informal, engaging atmosphere intended to promote … creativity!

Informações diversas

A tradução simultânea será assegurada em inglês/português e português/inglês, excluindo os workshops.

Secretariado

Fundação BIAL

Av. da Siderurgia Nacional
4745-457 Coronado (S. Romão e S. Mamede)
Portugal

Tel.: +351 22 986 6150
info@bialfoundation.com

Local de realização do Simpósio

Casa do Médico

Rua Delfim Maia, 405
4200-256 Porto
Portugal

Tel.: +351 22 507 0100

Hóteis



HF Ipanema Porto ****
Rua do Campo Alegre, 156/172
4150-169 Porto, Portugal

Tel.: +351 226 075 059
Fax.: +351 226 063 339
E-mail: hfipanemaporto@hfhotels.com

Efetuar reserva diretamente com o Hotel, indicando a Fundação BIAL e o Simpósio.

Tel: +351 22 619 4100
https://14simposiofundacaobial.hfhotels.com

HF Fénix Porto ****
Rua Gonçalo Sampaio, 282
4150 - 365 Porto, Portugal

Tel.: +351 226 071 800
Fax.: +351 226 071 810
E-mail: hffenixporto@hfhotels.com

Transferes/Metro

Será providenciado transporte de autocarro dos hotéis oficiais do Simpósio para a Casa do Médico, e vice-versa.

Inscrições online

O 14º Simpósio será organizado apenas em formato presencial.

As inscrições estão abertas. Faça aqui a sua inscrição.


Preço das inscrições:

€200
€80 - para estudantes universitários até aos 25 anos e estudantes de doutoramento (anexar,por favor, fotocópia do cartão de estudante e/ou declaração da universidade/orientador).


Estes valores incluem o acesso a todas as sessões do Simpósio, coffee breaks e certificado de participação. Não inclui refeições. Inscrições limitadas.


Haverá tradução simultânea de inglês para português e vice-versa.

Os Simpósios

Para que os investigadores apoiados pela Fundação BIAL pudessem ter um espaço alargado de discussão e de apresentação dos seus projetos, a Fundação criou, em 1996, os simpósios “Aquém e Além do Cérebro”.

Com periodicidade bianual, estes encontros reúnem os investigadores apoiados pela Fundação BIAL e conceituados investigadores nas áreas das Neurociências e da Parapsicologia.

“Efeitos de placebo, Curas e Meditação”, “Interações mente-matéria”, “Sono e Sonho”, “Intuição e Decisão”, “Memória”, “Vivências excepcionais”, “Emoções”, “Potenciar a mente”, ou o mais recente “O Mistério do Tempo", foram alguns dos temas já analisados nos Simpósios Aquém e Além do Cérebro por conferencistas de renome como: Miguel Castelo-Branco (Coimbra), Axel Cleeremans (Bruxelas), António Damásio (Los Angeles), Hoyt Edge (Flórida), Peter Fenwick (Londres), Eberhard Fetz (Washington), Fernando Gil (Sorbonne), Allan Hobson (Harvard), Jerome Kagan (Harvard), Irving Kirsch (Boston), Stephen Kosslyn (São Francisco), Stephen Laberge (Stanford), Dietrich Lehmann (Zurique), Fernando Lopes da Silva (Amesterdão), Edwin May (Palo Alto), Robert Morris (Edimburgo), Dean Radin (Nevada), Alcino Silva (Los Angeles), Ian Stevenson (Virgínia), e Robert Stickgold (Harvard).

Como resultado dos trabalhos desenvolvidos, a Fundação BIAL publica os respetivos livros de Atas dos Simpósios. Consulte as edições publicadas aqui.

Simpósios Anteriores

13º Simpósio

O Mistério do Tempo
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12º Simpósio

Potenciar a mente
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11º Simpósio

Efeitos de placebo, curas e meditação
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10º Simpósio

Interações mente-matéria
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9º Simpósio

Sono e Sonhos
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8.º Simpósio

Intuição e Decisão
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7º Simpósio

Emoções
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6º Simpósio

Memória
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5º Simpósio

Consciência e Cérebro
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4º Simpósio

Relações Interpessoais Excepcionais
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3º Simpósio

Vivências Excepcionais
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2º Simpósio

Aquém e Além do Cérebro
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1º Simpósio

Aquém e Além do Cérebro
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